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The Black Woman: An Anthology Toni Bambara.A Seat at the Table reminds us resisting racism is also about developing positive self-image, being fluent in the language of community when others denigrate it, drawing strength from the wisdom of ancestors who struggled before you, and learning who to trust when you need allies in the fight against inequality. Resistance can take the form of direct action, protest, and electoral politics. Response from Professor Brittney Cooper, Assistant Professor of Women's and Gender Studies and Africana Studies at Rutgers University and co-founder of the Crunk Feminist Collective: "How has black anger been a part of the work of social change?" Solange's "Rise"Walk in your ways, so you won't crumble/ Walk in your ways, so you can sleep at night/ Walk in your ways, so you will wake up and rise A more expansive syllabus can be found here. We are excited to share an abridged version of syllabus with you below. Some of the submissions were books and articles we expected but some submissions were original artwork, poetry, and stories. Like all conversations, these sometimes went to unexpected places. We even encouraged girls to think about taking a seat at the lunch table by remembering the books, music, and art that made them feel included as middle and elementary school children. Like Solange, we asked young women to think deeply about resisting racism, understanding gender and sexuality, the role of important relationships in their lives, and how they nurture themselves.
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Many people resisted the idea of an age limit, but it was important to us to put young women at the center of the conversation. We issued a call for submissions to young women ages 16 to 30. It got us thinking, and on the trip back to Wake Forest University, senior Ann Nguyen suggested we develop a Seat at the Table syllabus inspired by the Lemonade Syllabus compiled by Candice Benbow. In October, the Scholars, accompanied Melissa Harris-Perry to Stanford University for an event featuring Solange and MHP in a wide-ranging conversation. She allowed their stories to merge with her own, and gave us a chance to listen in on the co-creation that became her astonishing album. Solange found this voice by entering into conversations with everyone from her parents, to the rapper-polymath Master P, to the actress Amandla Stenberg. J ames Baldwin argued "to be a Negro in this country and to be relatively conscious is to be in a rage almost all the time." As our nation transitioned from the Obama years to Trump's America, Solange's album, A Seat at the Table, gave voice to the struggle to maintain black humanity and sanity in the context of this constant rage.